Yes, comic book films are not meant to be High Art. Yes, they are generally the schlock that Hollywood rolls out to bring in some guaranteed coin. Yes, the scripts are usually fill-in-the-blanks, predictable drivel to tie together the action packed set pieces.
But I love them.
Captain A-Meh-rica however, kind of gave me the shits.
Here's why:
1. The "Yay" America Attitude.
Yes, I was prepared for it. I mean, it IS in the title after all. But I wasn't prepared enough to not let it shit me. And yes, there are a few token characters from other countries, flung against the Nazis and their suped up uber-scientists. But they are pretty tokenistic.
2. The Historical Inaccuracies
I'm not really a stickler for History. Making things entirely Realistic or True is not necessarily what I am all about. I LOVED Inglourious Basterds. Fantasy & SciFi stuff makes me happy. The X-Men franchise is totaly not plausible, but I have so much love for it. And I have no problem with scientific divisions of the military creating super soldiers with serums and rocks that wield the power of the Gods.
But I have great issues with the portrayal of women at the front line of WWII.
Peggy Carter (Hayley Atwell) is smoking hot. 1940s lips and hair to die for. Pencil skirts that make me wish I had hips like that. Great dialogue, and a kick arse attitude. And I could almost believe that she was an intelligence agent. I could almost believe she was working behind the scenes to bring about the downfall of the Nazis. But it really shat me when she was firing off a machine gun in the advancing line, next to commanding officer Tommy Lee Jones with other soldiers dissolving into blue sparks beside her. Completely naff and disrupting.
3. Derivative to a point of vomitous
But I think they took it too far.
But I love them.
Usually.
Here's why:
1. The "Yay" America Attitude.
Yes, I was prepared for it. I mean, it IS in the title after all. But I wasn't prepared enough to not let it shit me. And yes, there are a few token characters from other countries, flung against the Nazis and their suped up uber-scientists. But they are pretty tokenistic.
2. The Historical Inaccuracies
I'm not really a stickler for History. Making things entirely Realistic or True is not necessarily what I am all about. I LOVED Inglourious Basterds. Fantasy & SciFi stuff makes me happy. The X-Men franchise is totaly not plausible, but I have so much love for it. And I have no problem with scientific divisions of the military creating super soldiers with serums and rocks that wield the power of the Gods.
But I have great issues with the portrayal of women at the front line of WWII.
Peggy Carter (Hayley Atwell) is smoking hot. 1940s lips and hair to die for. Pencil skirts that make me wish I had hips like that. Great dialogue, and a kick arse attitude. And I could almost believe that she was an intelligence agent. I could almost believe she was working behind the scenes to bring about the downfall of the Nazis. But it really shat me when she was firing off a machine gun in the advancing line, next to commanding officer Tommy Lee Jones with other soldiers dissolving into blue sparks beside her. Completely naff and disrupting.
3. Derivative to a point of vomitous
I realise in this post-modern context we all live in that nothing is original any more. Every new piece of art (did you know comic-book films are art?) comes from somewhere else. Another Marvel film is always going to be saturated with enough intertextuality to sink a MAD Magazine, especially when it is set to be part of a whole series of Avengers films. So I am aware that OF COURSE this film was never going to be a stand alone piece.
But I think they took it too far.
When making an alterno-fantasy about battling the Nazis, it is difficult not to lean towards Raiders of the Lost Ark. And in Star Wars, when George Lucas named the Empire soldiers after the German Stormtroopers, he really did twist up the ideas of fantasy and history. Director Joe Johnston just had to make his Nazi Hydra Soldiers look like blackfaced Star Wars style Storm Troopers, and Boba Fett's your uncle... Bad guys!
A shot for shot recreation of the pena-climactic chase sequence from Return of the Jedi, however, was completely surplus to requirement.. The coathanger rope to knock the bad guy down? Check. Left some surprise explodey things behind to blow the next bad guy up? Check. Two dudes on very fast motorbikey things trying to overtake through the scrub in the other lane? Check. I thought at any moment the Ewoks were about to jump out and help.
4. Bobble Head SFX
I think it was kind of cool that the film included a pre-buff Chris Evans, before super powers, super strength and super cut abs. But seeing his enormous head on his tiny body through the wonders of CGI just made me disconcerted. I mean, supporting that weight would cause some serious neck strain.
5. The lack of attention to the AMAZING support cast.
Yeah, Chris Evans, chiseled jaw, rippling muscles, blah blah.
What about Dominic Cooper?! Huh? He of History Boys and The Duchess fame. Casting wise, he is pretty perfect for a Robert Downey Jr Daddy. Suave, cocky, liable to make mistakes and not admit them. But where was his dialogue? Where was his screen time? Give me Cooper over Evans ANY day.
And Our Hugo? Weaving is the antagonist, and he plays the sociopath like an expert indeed. But there just wasn't enough opportunity for us to see it.
But the biggest tragedy of the cutting room/story editing has to be Stanley Tucci. I love him. I have loved him forever. Not in a want-to-jump-his-bones kind of way, but in a could-watch-him-forever kind of way. As a character actor, he is so versatile. Puck in A Midsummer Night's Dream. The husband in Julie & Julia. The dad in Easy A. The tragic clown in The Devil Wears Prada. But my all time favourite Stanley Tucci film is The Imposters. Farcical hilarity, with Oliver Platt & Billy Connolly. But I digress.
Surely with a character as complex as Dr Abraham Erskine, escaping the Nazis to use his scientific formula for the good guys instead, could have been given more of a role? I know, the Hero needs the motivation to rage against the enemy, but... I don't need to offer solutions to my whinges do I?
Unfortunately, we didn't stick around to see the teaser for the next Avengers film at the end of the final credits. I've heard it's special, and I probably should have made the time for it, but I was so blerged out by
the whole film, I thought it time to go.
the whole film, I thought it time to go.
Only see this if you... plan on seeing the next ones? Iron Man it ain't.
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